From the Book - Regular Print
Improvisation / Cut and paste / Choreography --
Subject / Inspiration / Stealing / Familiar movement / Choreography / Referencing other sources / Self-expression --
Contract / Performance space / Language / Choreography --
Research / How and what? / Dramaturgy / Theory / Curiosity --
Interview / Unfinished business / Questions / Principles --
Financial limitations / Studios / Funding applications --
Preparation / Rehearsal schedule / Heaviness --
Collaboration / Audience --
Technique / Parrot on your shoulder / Authenticity / Daily practice / Dancing / Style / Fiddling --
Keeping it going / Pacing --
Dub reggae / Rate of change / Simple material / Desperation --
Stillness and silence / Fear of being boring --
Does it work? / Showings / Mentoring --
Distracting the self / Paradox / Choreography / Performance / Electric guitars --
Predictable and unpredictable / Expectation --
Narrative / Ballet / Continuity --
Continuity / Sectional pieces / Material / Make six things / Choreography / Flow / Relation --
Relation / Solos, duos, trios, quartets / Ideas --
Relation / Time / Rhythm --
Counterpoint / Formal elements / Difference --
Scores / Studios / Improvisation --
Chance / Empty hands / Gamut of movements / Limitations / Laborious work / Philosophy --
Audience / Facing the front / Confrontation / Humour / Failure --
Performance / Principles --
Marketplace / Earning a living / Administrating the work / Commissions --
Music / Collaboration / Silence --
Lighting / Technicians / Collaboration / Costumes / Shoes or no shoes? / Set design / Nudity --
Filming / History / Collaboration / Mirrors / Human-scale --
Hierarchies / Dancer or choreographer? / In it or out of it? / Who owns what? --
How can I simplify all of this? --