A young lawyer on an assignment finds himself imprisoned in a Transylvanian castle by his mysterious host. Back at home his fiancee and friends are menaced by a malevolent force which seems intent on imposing suffering and destruction. Can the devil really have arrived on England's shores? And what is it that he hungers for so desperately?

"Traditionally, ideas about twentieth-century 'modernism' - whether focused on literature, music or the visual arts - have made a distinction between 'high' art and the 'popular' arts of best-selling fiction, jazz and other forms of popular music, and commercial art of one form or another. In Modernism and Popular Music, Ronald Schleifer instead shows how the music of George and Ira Gershwin, Cole Porter, Thomas 'Fats' Waller and Billie Holiday can...