Big ears listening for gender in jazz studies
(eBook)
Published
Durham : Duke University Press, 2008.
Physical Desc
x, 460 pages : ill.
Status
More Details
Format
eBook
Language
English
Notes
Bibliography
Includes bibliographical references and index.
Reproduction
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
Description
Loading Description...
Also in this Series
Checking series information...
Subjects
Other Subjects
Citations
APA Citation, 7th Edition (style guide)
Rustin, N. T., & Tucker, S. (2008). Big ears: listening for gender in jazz studies . Duke University Press.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Rustin, Nichole T and Sherrie Tucker. 2008. Big Ears: Listening for Gender in Jazz Studies. Duke University Press.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Rustin, Nichole T and Sherrie Tucker. Big Ears: Listening for Gender in Jazz Studies Duke University Press, 2008.
MLA Citation, 9th Edition (style guide)Rustin, Nichole T., and Sherrie Tucker. Big Ears: Listening for Gender in Jazz Studies Duke University Press, 2008.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
452a9e41-5c7e-f38d-7ad1-94f62ef286b1-eng
Grouping Information
Grouped Work ID | 452a9e41-5c7e-f38d-7ad1-94f62ef286b1-eng |
---|---|
Full title | big ears listening for gender in jazz studies |
Author | nichole rustin and sherrie tucker |
Grouping Category | book |
Last Update | 2022-09-29 09:15:14AM |
Last Indexed | 2024-05-04 03:38:57AM |
Book Cover Information
Image Source | default |
---|---|
First Loaded | Jul 18, 2023 |
Last Used | Jul 18, 2023 |
Marc Record
First Detected | Sep 29, 2022 09:17:16 AM |
---|---|
Last File Modification Time | Sep 29, 2022 09:17:16 AM |
MARC Record
LEADER | 03678nam a22004694a 4500 | ||
---|---|---|---|
001 | EBC1169853 | ||
003 | MiAaPQ | ||
005 | 20090508105521.0 | ||
006 | m o d | | ||
007 | cr cn||||||||| | ||
008 | 090508s2008 ncua sb 000 0 eng d | ||
020 | |z 9780822389224 | ||
020 | |z 0822389223 | ||
020 | |z 9780822343363 (cloth : alk. paper) | ||
020 | |z 0822343363 (cloth : alk. paper) | ||
020 | |z 9780822343202 (pbk. : alk. paper) | ||
020 | |z 0822343207 (pbk. : alk. paper) | ||
035 | |a (MiAaPQ)EBC1169853 | ||
035 | |a (Au-PeEL)EBL1169853 | ||
035 | |a (CaPaEBR)ebr10289822 | ||
035 | |a (OCoLC)320536070 | ||
040 | |a MiAaPQ|c MiAaPQ|d MiAaPQ | ||
049 | |a NDDP | ||
050 | 4 | |a ML3506|b .B53 2008 | |
245 | 0 | 0 | |a Big ears|h [electronic resource] :|b listening for gender in jazz studies /|c edited by Nichole Rustin and Sherrie Tucker. |
260 | |a Durham :|b Duke University Press,|c 2008. | ||
300 | |a x, 460 p. :|b ill. | ||
490 | 1 | |a Refiguring American music | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a PART I. Rooting Gender in Jazz History. SEPARATED AT "BIRTH": SINGING AND THE HISTORY OF JAZZ / Lara Pellegrinelli. WITH LOVIE AND LIL: REDISCOVERING TWO CHICAGO PIANISTS OF THE 1920s / Jeffrey Taylor. GENDER, JAZZ, AND THE POPULAR FRONT / Monica Hairston. "THE BATTLE OF THE SAXES": GENDER, DANCE BANDS, AND BRITISH NATIONALISM IN THE SECOND WORLD WAR / Christina Baade. IDENTITY FOR SALE: GLENN MILLER, WYNTON MARSALIS, AND CULTURAL REPLAY IN MUSIC / Tracy McMullen -- PART II. Improvising Gender: Embodiment and Performance. FROM THE POINT OF VIEW OF THE PAVEMENT: A GEOPOLITICS OF BLACK DANCE / Jayna Brown. PERVERSE HYSTERICS: THE NOISY CRI OF LES DIABOLIQUES / Julie Dawn Smith. "BORN OUT OF JAZZ, YET EMBRACING ALL MUSIC": RACE, GENDER, AND TECHNOLOGY IN GEORGE RUSSELL'S LYDIAN CHROMATIC CONCEPT / Eric Porter. "BUT THIS MUSIC IS MINE ALREADY!": "WHITE WOMAN" AS JAZZ COLLECTOR IN THE FILM NEW ORLEANS (1947) / Sherrie Tucker. FITTING THE PART / Ingrid Monson -- PART III. Reimagining Jazz Representations. "BETTER A JAZZ ALBUM THAN LIPSTICK" (LIEBER JAZZPLATTE ALS LIPPENSTIFT): THE 1956 JAZZ PODIUM SERIES REVEALS IMAGES OF JAZZ AND GENDER IN POSTWAR GERMANY / Ursel Schlicht. EXCLUSION, OPENNESS, AND UTOPIA IN BLACK MALE PERFORMANCE AT THE WORLD STAGE JAZZ JAM SESSIONS / Joao H. Costa Vargas. "IT TAKES TWO PEOPLE TO CONFIRM THE TRUTH": THE JAZZ FICTION OF SHERLEY ANN WILLIAMS AND TONI CADE BAMBARA / Farah Jasmine Griffin. "BLOW, MAN, BLOW!": REPRESENTING GENDER, WHITE PRIMITIVES, AND JAZZ MELODRAMA THROUGH A YOUNG MAN WITH A HORN / Nichole T. Rustin. THE GENDERED JAZZ AESTHETICS OF THAT MAN OF MINE: THE INTERNATIONAL SWEETHEARTS OF RHYTHM AND INDEPENDENT BLACK SOUND FILM / Kristin McGee | |
533 | |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. | ||
650 | 0 | |a Jazz|x History and criticism. | |
650 | 0 | |a Jazz|x Social aspects. | |
655 | 4 | |a Electronic books. | |
700 | 1 | |a Rustin, Nichole T. | |
700 | 1 | |a Tucker, Sherrie,|d 1957- | |
710 | 2 | |a ProQuest (Firm) | |
830 | 0 | |a Refiguring American music. | |
830 | 0 | |a e-Duke books scholarly collection. | |
856 | 4 | 0 | |u http://ebookcentral.proquest.com/lib/yavapai-ebooks/detail.action?docID=1169853|x Yavapai College|y Yavapai College users click here |
856 | 4 | 0 | |u http://ebookcentral.proquest.com/lib/prescottcollege-ebooks/detail.action?docID=1169853|x Prescott College|y Prescott College users click here |
856 | 4 | 0 | |u http://ebookcentral.proquest.com/lib/yln-ebooks/detail.action?docID=1169853|x Yavapai Library Network|y All other users click here |